Paul Wiancko has led an exceptionally multifaceted musical life as a composer and cellist. As a performer, he has collaborated with Midori, Yo-Yo Ma, Richard Goode, Mitsuko Uchida, Nico Muhly, and members of the Guarneri, Takács, JACK, Parker, Orion, and Juilliard quartets. Chosen as one of Kronos Quartet’s “50 for the Future”, Paul’s own music has been described as “dazzling”, “compelling” (Star Tribune) and “vital pieces that avoid the predictable” (Allan Kozinn). His 25-minute quartet LIFT is featured on the Aizuri Quartet’s Grammy-nominated album Blueprinting, one of NPR’s top 10 classical albums of 2018.

As a college student, Paul was simultaneously winning international cello competitions (which led him, most notably, to Poland to perform the Lutoslawski Cello Concerto with the Polish Radio Symphony Orchestra) and recording strings for local punk bands in his dorm room. That duality is embedded in Paul's artistic DNA, and over the years has resulted in close collaborations with a wide range of artists, from Chick Corea, Etta James, Norah Jones, Jóhann Jóhannsson, and Max Richter, to members of Arcade Fire, The National, Blonde Redhead, Dirty Projectors, Wye Oak, and many others.

An avid chamber musician, Paul's performances with Musicians From Marlboro have been described as "utterly transparent" and "so full of earthy vitality and sheer sensual pleasure that it made you happy to be alive" (Washington Post). In 2009, he joined the award-winning Harlem Quartet, with whom he spent 3 years performing and teaching extensively throughout the US, Europe, South America, and Africa. Paul currently writes and performs as a member of Owls, Ayane & Paul, and the American Contemporary Music Ensemble.

Winner of the S&R Foundation's Washington Award for Composition, Paul has been invited to be composer-in-residence at the Caramoor, Spoleto USA, Angel Fire, Twickenham, Newburyport, Portland, and Methow Valley Festivals. Recent commissions include works for the Aizuri, Parker, St. Lawrence, Kronos, Eybler, and Attacca Quartets, yMusic, Alexi Kenney, Tessa Lark, David Byrd-Marrow, and the Raleigh Civic Symphony. NPR recently wrote, “If Haydn were alive to write a string quartet today, it may sound something like Paul Wiancko's LIFT.”

Paul performs on a 2010 Mario Miralles violoncello and lives in New York. He is passionate about woodworking and hiking, and never travels without a tenkara fly-fishing rod.